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Located in: Software > Recording > Mastering

IK Multimedia T-RackS Plug-In Mastering Software

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$399.99 $149.00 62% MF.702379
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Compare To:


$130.99
WaveLab Essential


$199.00
M-Audio iZotope Ozone 3 - Mastering Processor Suite (Mac & Windows)


$220.99
WaveLab Studio Competitive Crossgrade
Mastering Software. Made by IK Multimedia. (MF.702379)


Powerful processing at your fingertips!

T-RackS rich, warm sound starts with algorithms based on true analog circuitry. The familiar interface makes it easy to control 5 powerful processors: EQ, compressor, limiter, soft-clipping output stage, and a complete mastering suite. Enhances mix frequencies, stereo images, dynamic range and gives your audio a seamless, top-notch sound.

With its separate processors, astonishing warmth and ease-of-use, you'll be putting the kind of polish on your tracks you may have never thought possible. All this while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in offers this kind of dedicated environment for such an important task and none sounds like T-RackS.

5 sound processors

With its great-sounding analog-modeled Equalizer, Compressor, Limiter, and the Soft-clipping output stage, T-RackS includes everything you need to create final masters.

Specially Developed for Mastering

No other single software processor sounds like T-RackS and none makes mastering so easy. It can vastly enhance mix frequencies, broaden the stereo image as well as boost or precisely level the dynamic range. All this while adding the beautiful warmth and space of the tube-devices it emulates.

Outstanding "Analog-Modeled" Sound:

T-RackS' astonishing sound is created with algorithms based on real analog circuitry. This is what makes T-RackS sound so similar to real analog audio hardware, and so unique when compared to other software. Click here to see what user say about T-RackS' unique sound.

High Order 32-bit Internal Resolution:

With 32-bit floating point resolution, T-RackS uses the best possible method to physically model analog components, resulting in an amazingly real tube sound. Only without the noise!

High Productivity, Ease of Use:

Not only does it sound analog, it acts analog! T-RackS is so easy to use because its interface resembles a typical rack of hardware with analog controls.

Superior Quality: T-RackS has the best quality-to-price ratio of any top-selling sound processor, is an incredible value and is an indispensable mastering tool for any studio, be it pro or project.

Apart from separate modules, the new T-RackS Plug-In contains other monstrous improvements, compared to the standalone version, including:

1) New full band sweepable mid bands on the Equalizer. Both the peaking filters can now cover the entire 20 20KHz audio spectrum.

2) Refined high-end response. Now the T-RackS equalizer is even more musical and transparent at the top end, the T-RackS Eq now has that characteristic smooth high end, typical of those acclaimed analog devices.

3) Sidechain HPF in the compressor signal detecting chain. This adds a high-pass filter in the detector stage of the compressor. The detector stage is where the compressor analyzes the incoming signal and determines how gain reduction is applied. This variable high-pass filter prevents pumping. The further this knob is turned, the softer and more inaudible the compression character will be. At the minimum or at very low settings, the compression will be much more aggressive and noticeable.

4) Individual limiter bands controls

Now all the 3 limiter bands are individually adjustable for threshold and level. This allows the user, for example, to limit the program low end without applying unwanted compression to the midrange.

5) Adjustable multiband limiter crossover points Now the user can modify the 2 split points of the bands.

6) High precision calibration of the limiter and clipper output. If the output knob of the limiter is at 0dB (default) the output of the limiter will never go beyond 0.05dBs.

Features:

  • State-of-the-art 6-band parametric equalizer, modeled on classic top quality analog gear
  • 4th order parametric, high- and low-pass filters
  • Parametric low-shelving control
  • Parametric lo-mid control with Low or High "Q"
  • Parametric hi-mid control with Low or High "Q"
  • Parametric high-shelving control

    Compressor
  • Classic tube stereo compressor/leveler designed for mastering
  • Vintage-style compression unit
  • Classic warm "in-your-face" sound of old tube mastering levelers
  • Very-soft knee compression with no threshold point
  • Stereo-image width control
  • Mastering-oriented variable time constants
  • Comprehensive and accurate gain-reduction VU
  • Ratio control
  • Variable Hi-pass filter on keying signal

    Limiter
  • Multiband master stereo limiter
  • High-quality 3-band limiting stage
  • Ultrafast peak detection
  • Ultra-linear and accurate band mixing for high-end performance
  • Overload for accurate control of limiting and saturation
  • Soft clipping feature for warm analog emulation
  • Comprehensive gain reduction VU
  • Very accurate peak LED indicators at the outputs
  • Output stage with hard/soft selectable clipping
  • Soft-clipping stage
  • Astoundingly musical and smooth performance
  • Variable clipping shape (from hard clip to ultrasoft) for complete control and precision
  • Easily increase gain with no compression or limiting artifacts (unless you want them!)
  • Create warm, saturated mastering effects

Specifications:

  • System Requirements
  • Mac HTDM, RTAS
  • A Digidesign qualified G3 or G4 Power Mac (G4 suggested) running Pro Tools|24 MIX, Pro Tools|24 MIX Plus, Pro Tools|24 Mix (with Pro Tools software 5.1 or later), Pro Tools |HD (with Pro Tools software 5.3 or later), ProTools LE with Digi 001 or AudioMedia III (with Pro Tools software 5.0 or later), M-Box (with Pro Tools LE software 5.2 or later). Qualified ATA/IDE or SCSI drive, 128MB RAM (256 MB suggested), Apple System software version 9.0 or later, Mac OSX 10.2.4 or later.

    Mac VST
  • Power Mac G3 or G4 with Mac OS 8.6 or later system software, 64MB RAM. Screen settings: 800X600, thousands of colors, 20MB of free hard disk space. Suggested: Power Mac G4 with 256MB RAM and 1024X768 screen. An ASIO card is recommended for low latency realtime play. Optimized for G4.

    Windows DX, VST
  • Intel Pentium III or IV with Windows 95, 98, ME, NT 4.0, 2000, XP, 64MB RAM. Screen settings: 800X600, high colors (16-bit), 20MB of free hard disk space. Suggested: Intel Pentium IV with 256MB RAM and 1024X768 screen. An ASIO card is recommended for low latency realtime play. Optimized for Pentium III and IV.

    Mac and Windows Sequencers and Editors
  • Sequencers and sound editors compatible with VST plug-ins or DX plug-ins such as Cubase VST PC version 3.7.2 or Mac version 4.1.1, (or later), Logic Audio PC and Mac version 4.5 (or later), Digital Performer (*using VST wrapper), Sonar 2.2 (or later), Sound Forge 5 (or later), Cool Edit Pro 2 (or later), Peak 2.0 (or later).

Never before has such an astounding array of mastering tools been this affordable. Order today!

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